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Aronofsky’s ambition makes ‘Noah’ one of the best (and weirdest) films of the 2010s

Aronofsky’s ambition makes ‘Noah’ one of the best (and weirdest) films of the 2010s

by | Sep 15, 2017 | ANTI-MONITOR

By Jarrod Jones. This is RETROGRADING, where this is the beginning. The beginning of everything. THE FILM: Noah THE TIME: 2014. Darren Aronofsky had just cashed in all his awards-season cache to make the ponderous and visually daring biblical epic that had been...
‘Maximum Overdrive’ indisputably a film that exists — THE ANTI-MONITOR PODCAST

‘Maximum Overdrive’ indisputably a film that exists — THE ANTI-MONITOR PODCAST

by | Aug 4, 2017 | ANTI-MONITOR, ANTI-MONITOR PODCAST

By Matt Fleming and Jarrod Jones. This is the ANTI-MONITOR podcast, where we don’t give a single ladybug. This week, Jarrod & Birdy dust themselves off and recount their bewildering experiences watching ‘Maximum Overdrive’. They discuss the...
‘The Mist’ an increasingly rare example of a top-notch Stephen King adaptation

‘The Mist’ an increasingly rare example of a top-notch Stephen King adaptation

by | Aug 4, 2017 | ANTI-MONITOR

By Elford Alley. This is RETROGRADING, where we all follow the beam. THE FILM: The Mist THE TIME: In 2007, a year of two successful Stephen King adaptations, 1408 and the Frank Darabont-helmed The Mist. RECOLLECTIONS: The Mist was originally a novella about a small...
Charlize Theron astounds in the moody Cold War gauntlet that is ‘Atomic Blonde’

Charlize Theron astounds in the moody Cold War gauntlet that is ‘Atomic Blonde’

by | Jul 28, 2017 | ANTI-MONITOR

By Jarrod Jones. It’s the “trust no one, look fabulously stylish as you do it” sort of flick, with the same level of propulsive action that made John Wick so devilishly watchable. And, of course, it’s all deliberate. Nothing comes across as...
Christopher Nolan’s ‘Dunkirk’ an unnerving master class in war filmmaking

Christopher Nolan’s ‘Dunkirk’ an unnerving master class in war filmmaking

by | Jul 26, 2017 | ANTI-MONITOR

By Matthew C. Brown. 1. The Mole. One Week 2. The Sea. One Day 3. The Air. One Hour. These three temporal locations are the focal points of Christopher Nolan’s Dunkirk. The measure of time after each refers to the duration of the events we see in each location. In...
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